I wouldn’t really define this as a con, personally, but I suppose they can call it whatever they want. It’s one room of people selling comics — mostly back-issue type stuff, but a few small press people.

Small press people including, of course, AdHouse Books, which is mostly why I went (I figured if I wasn’t going to MoCCA — I couldn’t exactly afford it and it seemed like a hassle — I should still get to have some comics-related fun). I make no secret of my love for AdHouse. I love the diversity of books AdHouse publishes — even if they’re not all going to be to my taste, I know they’re going to be intriguing and original. Publisher Chris Pitzer just obviously loves comics and that shows in the books he releases.

So yeah, I basically just went there to see Pitzer and pick up some AdHouse books and to drop off some copies of Magic Bullet #2 for distribution in Richmond (the people behind the registration table looked at me a bit strangely when I asked if there was a freebie table, then eyed the copies suspiciously. It’s a comic newspaper! It’s cool!).

I tried to hand-sell Remake to two different people. The first young teenage boy wearing a Nightmare Before Christmas hoodie, so I figured he was the target audience for this comic. But he seemed a little put-off by my insistence and ran off with his friend. Then we tried to sell it to a young woman by telling her “It’s like Scott Pilgrim!” After she informed us she didn’t like Scott Pilgrim, I said “It’s better than Scott Pilgrim!” I failed there, too. (It’s not like there was anything in it for me — it’s not my comic. I just like Remake. Sadly, Remake Special wasn’t ready for this show).

I wandered the rest of the show a bit, but it wasn’t that big (about what I expected) and mostly various back issues. Since I just cleaned out a bunch of comics and I’m not a collector anymore, there wasn’t anything in particular I was looking for. But I like shows like this. I liked the few people who actually came in costume. After all, I grew up here, and while Richmond is a different and cooler place than it used to be (or at least, that’s my sense of it), I also know it’s not always easy to find where you fit. If there’s a sense that other people like what you do, that can go along way.

Would I go out of my way to go to this show again? Probably not, but it worked out nicely that I got to go.

I realized when I took my seat the only other time I’d been in that particular theater was to see a harp concert with one of my friends when we were teenagers (more or less — I think we may have been in college at that point. And yes, we went for fun. We were — and are — rather odd people). I liked that this theater — and the University of Richmond — was playing host to these sorts of indie comic-book types. You see, there are two Richmonds — there is the “old money” Richmond, full of Southern society types that go to the University of Richmond (which is a good school, don’t get me wrong, but it’s private and full of money) and then there’s the Richmond that gave us GWAR.

I’d say the theater was probably less than half full for this event (I didn’t count so I’m not going to give estimates, but there were plenty of empty seats) and that made me sad. Yes, I know it was a Sunday night in a sort of out-of-the-way place, but to me, these people are famous. I’m guessing much of the audience was U of R students, but I did see some that seemed to have sought out this event, including a few older people. I thought that was pretty cool.

This was probably one of the best panels I’ve attended. Yes, there was some awkwardness, but comic book people are awkward. I mean that with the utmost love — after all, if these sort of people were outgoing, they probably wouldn’t be making comics but be actors or rock stars instead. It took a while for everyone to settle in. Deitch, who is considerably older than the other three, was really the one to break the ice, and I liked his perspective. He’s pretty much seen and done it all.

One of the first questions focused on each creator’s creative process. both Deitch and Nilsen tend to write and draw simultaneously, while Bell and Larson write their scripts first, then begin drawing. Larson probably had the most methodical process — she said she definitely finalizes her scripts first before drawing (and she mentioned she hasn’t drawn anything since March, I believe, since she’s working on some super-secret adaptation right now. Sadly, she wasn’t allowed to announce what it was — she said “people will either love me or hate me for it” — but I have some of my own “wishful thinking” ideas of what it might be).

Everyone had pretty harsh words for the term “graphic novel.” Deitch said it’s “just another name for comic book” and Bell said she felt there’s now too much pressure on young creators to create longer works that they may not be ready to do. Nilsen said he knows that publishers want books but he thinks the comic format lends itself better to shorts. Pitzer, a publisher himself, admitted he does make money off books rather than single issues or shorts.

Likewise, while everyone had appeared in anthologies (or Pitzer’s case, published them), no one really seemed to like doing them. Larson said that while she contributed to Comic Book Tattoo, she’s not really a Tori Amos fan. Bell said that they helped her develop her skills but she kind of resents them. No one really knew how much people actually read anthologies.

I am probably a different case, but I love anthologies. I buy them quite a bit and enjoy them. I find them a great way to discover new creators. But I guess I can see how they may not be the best entry point for people who usually don’t read comics.

At the end, Pitzer asked where everyone felt the comic industry was going. Deitch mentioned that there are now editors specifically for graphic novels. Bell says that it’s gone more to a “book” market and away from the floppies. Everyone basically agreed that most still hesitate when it comes to reading comics and that it’s a learned skill. There is a way to go before people accept comics as legitimate form of media.

I didn’t stick around for the signing since I had to drive back to Arlington that night, but I will now track down works by both Deitch and Nilsen. Everyone was lovely and awesome and I’m so glad I got to go.