michael deforge – Comicsgirl https://www.comicsgirl.com Wed, 08 Oct 2014 01:08:48 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.3 https://www.comicsgirl.com/wp-content/uploads/2017/05/cropped-EdenMiller2017-1-32x32.jpg michael deforge – Comicsgirl https://www.comicsgirl.com 32 32 59683043 Review: The Best American Comics 2014 https://www.comicsgirl.com/2014/10/07/review-the-best-american-comics-2014/ Wed, 08 Oct 2014 00:58:22 +0000 http://www.comicsgirl.com/?p=4185 best-american-2014I am not going to go into my thoughts on The Best American Comics  since I’ve already covered that pretty well (I flipped through but did not read either the 2012 or 2013 editions). They are what they are, honestly, and that’s more of a good thing than a bad thing.

Except this year, it’s only a good thing. The Best American Comics 2014 (Houghton Mifflin Harcourt, 2014) is a masterful collection of where the medium of comics is right now. If you need a primer, this is it. If you just want to have all these amazing comics in one volume you can take with you, this is it. This has set the standard for what all the following The Best American Comics books need to be.

Under the guidance of new series editor Bill Kartalopoulos (who, among many other things he does, always puts together incredible programming for Small Press Expo), it does feel like the direction of what these books should be has changed. While I have no problem with what former series editors Matt Madden and Jessica Abel were doing, Kartalopoulos brings a curator’s eye to this collection, seeking out the new and the different, and wanting to highlight new creators alongside the legends. It all goes into a wonderful pool to choose from.

This year’s editor is Scott McCloud, and his background as a comics creator, teacher and thinker shows through. He is obviously excited about comics all the time and his enthusiasm shows through. He organizes the comics here into categories and provides context for each section. It gives the volume a structure and flow that has been lacking in previous ones. Even as much as I know about comics (and many of these creators), I found this to be insightful and informative.

Yes, you’ll still find most of the usual suspects here — the book starts selections from Jaime Hernandez, Charles Burns, Adrian Tomine and R. Crumb — but that’s dispensed with quickly (and wisely). Other than an extended look at Chris Ware’s Building Stories, the rest of the collection is full more recent legends and unknown creators — from Raina Telgmeier (it’s a delight to see Drama highlighted here) to Michael DeForge to Sam Alden (whose gorgeous Hawaii 1997 is included here).

Even crossover favorites like Brian K. Vaughan’s and Fiona Staple’s Saga and Brandon Graham’s Multiple Warheads get nods here. Instead of coming across as “I too like popular comics” on the part of McCloud, it feels more like “These are really great comics and I wanted to share them!”

Did anything surprise me here? I certainly loved that Allie Brosh’s “Depression Part II” is put with all these great comics because it deserves to be there. It’s fun to see an excerpt from Lale Westvind’s Hyperspeed to Nowhere #2 and selections from Richard Thompson’s Cul de Sac in this book, too. I appreciate that McCloud didn’t shy away from including more experimental comics from Aidan Koch and Erin Curry.

It doesn’t matter if you’ve read most or none of these comics before. It doesn’t matter if you’re looking to discover new creators or just want to enjoy some old favorites. Whether you know nothing about comics or that’s all you read, The Best American Comics 2014 is for you.

Review copy provided by publisher.

Briefly noted:

I’m still going through my stack of comics from Small Press Expo (and the comics I bought afterward), but I just wanted to highlight a few I’ve read lately and have enjoyed.

  • Weird Me Vol. 1 by Kelly Phillips – Phillips tells her tale of her days managing a Weird Al fansite. It’s hilarious and sweet. Her art carries a good sense of setting and emotion and her page layouts are dynamic. I am looking forward to Vol. 2 way too much (in fact, after finishing this, I immediately went online to ask when it was going to be done.)
  • The Secret of Angel Food Cake by Hannah Lee Stockdale – I have read this comic way too many times and after I failed to see her at SPX, she kindly sent me the print version. There is just something so lovely and quiet about the storytelling. And I like the way Stockdale draws dogs. If you draw good dogs, I like your comics.
  • Hair by Matt Lubchansky – This minicomic is basically just a punchline you can guess from the beginning, but it’s still a good one. Lubchansky’s comic is funny and playful — characters are all wide-eyes and exaggerated movements — and things that could be horrifying just come across as silly. Also, great use of spot color.
]]> 4185 33 for 2013 https://www.comicsgirl.com/2014/01/06/33-for-2013/ Mon, 06 Jan 2014 23:17:21 +0000 http://www.comicsgirl.com/?p=4042 This is my list of the 33 things that happened in the comics world in 2013 that made me happy. They’re in alphabetical order.

Blue is the Warmest Color

 

]]> 4042 The D.C. Area Comics Scene for July 24 https://www.comicsgirl.com/2012/07/24/the-d-c-area-comics-scene-for-july-24/ Tue, 24 Jul 2012 12:00:44 +0000 http://www.comicsgirl.com/?p=3303 News/interviews/reviews:

Event/con reports:

Announcements and debuts:

Upcoming releases:

Events:

Housekeeping:

  • I am compiling a standing list of D.C. area webcomics, comics-related podcasts/TV shows, yearly events and other things that I’m not always able to include in the weekly roundup, so email me with whatever you’re up to. Thanks!

Have comic news or events related to the D.C. area to share? Email me! Submit no later than Monday at 9 p.m. for inclusion each Tuesday, but the earlier, the better! More information is here.

]]> 3303 Review: The Best American Comics 2011 https://www.comicsgirl.com/2011/10/09/review-the-best-american-comics-2011/ https://www.comicsgirl.com/2011/10/09/review-the-best-american-comics-2011/#comments Sun, 09 Oct 2011 21:12:13 +0000 http://www.comicsgirl.com/?p=2858 bestamerican2011I think I’m finally sold on The Best American Comics as a series.

I’ve always understood that these books aren’t necessarily for me, but for that friend who keeps expressing interest in comics but balks when I try to hand her a graphic novel (this is a metaphorical friend for me — you, however, may have one). This friend is well suited to an anthology — if there’s something she doesn’t like, well, it’s over pretty quickly.

But I think within the past couple of years, series editor Jessica Abel and Matt Madden have figured out the voice they want these books to have. I do think guest editor Neil Gaiman did a good job with last year’s collection, but looking back, there was some of a sense of “Look at all these hip and cool indie creators!” about it. He made fun and thoughtful choices and I would’ve gladly given it to a friend newly interested in comics. I just didn’t need to own it myself.

In Alison Bechdel‘s hands, The Best American Comics 2011 (2011, Houghton Mifflin Harcourt), on the other hand, is a book I would absolutely own (as well as, of course, give it to my friend interested in comics).

I love Bechdel already, but she absolutely won me over in her introduction to this collection where she pointed out how few women these collections have contained (and calls herself out for not doing that great of a job on that part — there’s a chart and everything) and also points out she didn’t manage to include any black creators in this collection. I admire her willingness to show the shortcoming in terms of diversity of this volume.

I admire the diversity of selections Bechdel has picked. Yes, of course creators like Chris Ware and Jaime Hernandez show up here, but so do Kate Beaton and Gabrielle Bell, who both deserve to be included just as much. There were even some creators I wasn’t familiar with, such as Kevin Mutch and Angie Wang. As many comics that have passed through my life in the past year, it’s a thrill to see something new.

I also love Bechdel’s willingness to embrace and showcase the weirder side of indie comics, from Michael DeForge‘s grotesquely colorful “Queen” to the excerpt from Dash Shaw‘s Body World. Surprisingly though, the book never feels alienating or like there’s an attempt to be shocking. There’s definitely some dark subject matter and imagery, like Gabby Schulz (Ken Dahl)’s “New Year’s, 2004” and Julia Gfrörer‘s “Fear of Fire” but those stories are balanced with lighter ones, like Joey Allison Sayers‘ “Pet Cat” and Jillian Tamaki‘s “Domestic Men of Mystery.”

As all collections go, not everything here is going to appeal to everyone, but I think that’s partially by design. Still, Bechdel has selected comics that are both accessible and representative of where independent comics are now.

The Best American Comics 2011 is beautifully and thoughtfully compiled collection of comics. Forget about that friend you usually buy these collections for. Buy this one for yourself. (But then maybe let said friend borrow it when you’re done.)

Advance reading copy provided through NetGalley.

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