kate beaton – Comicsgirl https://www.comicsgirl.com Thu, 18 Dec 2014 02:06:03 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.3 https://www.comicsgirl.com/wp-content/uploads/2017/05/cropped-EdenMiller2017-1-32x32.jpg kate beaton – Comicsgirl https://www.comicsgirl.com 32 32 59683043 Library Con at Petworth Neighborhood Library & Comics by Women https://www.comicsgirl.com/2014/08/03/library-con-at-petworth-neighborhood-library-comics-by-women/ Sun, 03 Aug 2014 18:32:16 +0000 http://www.comicsgirl.com/?p=4161 library-conYesterday, I was a speaker at Library Con at the Petworth Neighborhood Library. It was a small, mostly family-oriented event but well-organized and fun. I am always going to be a fan of events that make comics — of all genres and styles — more accessible to more people.

I first saw Jacob Mazer of Animal Kingdom Publishing discuss his work and the anthology of comics, prose, poetry and criticism he edits. It’s still a young publication, but I definitely think there’s room in the world for more things like this, allowing comics to reach audiences they may not otherwise. Not everything in the second issue is to my tastes, but there is some thought-provoking work in it.

Then I saw Gareth Hinds, whose adaptation of Romeo and Juliet came out last year. He talked about always loving to draw as a child and comics ended up coming naturally to him. He worked in video games for a long time before quitting to create graphic novels full-time. He broke down his process for each book and I was interested to hear he changes techniques and styles for each specific book. He also spoke about the challenges of adapting classic literature.

After that, it was my turn. I talked about comics by women (what else?) and I think it went well for it being such a big topic. My concept was not to give history but offer up titles that people can buy right now. I had a good discussion with the attendees too.

You can download my PowerPoint presentation or a PDF of it, but I’ve also created a list of the creators and titles I discussed below (with links to their websites where appropriate).

I have reviewed some of these books and written more about some of these creators. You should be able to find what you need through the tags.

History/background

 lumberjanesMainstream: Superheroes

Mainstream: Sci-fi/Fantasy

Children and Young Adult Comics

marblesAutobiographical

Manga

  • Kyoko Okazaki: Pink, Helter Skelter
  • Moto Hagio: A Drunken Dream, The Heart of Thomas
  • Takako Shimura: Wandering Son
  • Moyoco Anno: In Clothes Called Fat, Insufficient Direction

UK, Europe and Around the World

  • Mary Talbot: The Dotter of Her Father’s Eyes, Sally Heathcoate: Suffragette
  • Isabel Greenberg: Encyclopedia of Early Earth
  • Julie Maroh: Blue is the Warmest Color
  • Marguerite Abouet: Aya series
  • Rutu Modan: Exit Wounds, The Property

strong-femaleOnline comics

Minicomics & cutting-edge creators

Through the WoodsPublishers, groups and events

Top Picks of Comics by Women for 2014

]]> 4161 33 for 2013 https://www.comicsgirl.com/2014/01/06/33-for-2013/ Mon, 06 Jan 2014 23:17:21 +0000 http://www.comicsgirl.com/?p=4042 This is my list of the 33 things that happened in the comics world in 2013 that made me happy. They’re in alphabetical order.

Blue is the Warmest Color

 

]]> 4042 Review: The Best American Comics 2011 https://www.comicsgirl.com/2011/10/09/review-the-best-american-comics-2011/ https://www.comicsgirl.com/2011/10/09/review-the-best-american-comics-2011/#comments Sun, 09 Oct 2011 21:12:13 +0000 http://www.comicsgirl.com/?p=2858 bestamerican2011I think I’m finally sold on The Best American Comics as a series.

I’ve always understood that these books aren’t necessarily for me, but for that friend who keeps expressing interest in comics but balks when I try to hand her a graphic novel (this is a metaphorical friend for me — you, however, may have one). This friend is well suited to an anthology — if there’s something she doesn’t like, well, it’s over pretty quickly.

But I think within the past couple of years, series editor Jessica Abel and Matt Madden have figured out the voice they want these books to have. I do think guest editor Neil Gaiman did a good job with last year’s collection, but looking back, there was some of a sense of “Look at all these hip and cool indie creators!” about it. He made fun and thoughtful choices and I would’ve gladly given it to a friend newly interested in comics. I just didn’t need to own it myself.

In Alison Bechdel‘s hands, The Best American Comics 2011 (2011, Houghton Mifflin Harcourt), on the other hand, is a book I would absolutely own (as well as, of course, give it to my friend interested in comics).

I love Bechdel already, but she absolutely won me over in her introduction to this collection where she pointed out how few women these collections have contained (and calls herself out for not doing that great of a job on that part — there’s a chart and everything) and also points out she didn’t manage to include any black creators in this collection. I admire her willingness to show the shortcoming in terms of diversity of this volume.

I admire the diversity of selections Bechdel has picked. Yes, of course creators like Chris Ware and Jaime Hernandez show up here, but so do Kate Beaton and Gabrielle Bell, who both deserve to be included just as much. There were even some creators I wasn’t familiar with, such as Kevin Mutch and Angie Wang. As many comics that have passed through my life in the past year, it’s a thrill to see something new.

I also love Bechdel’s willingness to embrace and showcase the weirder side of indie comics, from Michael DeForge‘s grotesquely colorful “Queen” to the excerpt from Dash Shaw‘s Body World. Surprisingly though, the book never feels alienating or like there’s an attempt to be shocking. There’s definitely some dark subject matter and imagery, like Gabby Schulz (Ken Dahl)’s “New Year’s, 2004” and Julia Gfrörer‘s “Fear of Fire” but those stories are balanced with lighter ones, like Joey Allison Sayers‘ “Pet Cat” and Jillian Tamaki‘s “Domestic Men of Mystery.”

As all collections go, not everything here is going to appeal to everyone, but I think that’s partially by design. Still, Bechdel has selected comics that are both accessible and representative of where independent comics are now.

The Best American Comics 2011 is beautifully and thoughtfully compiled collection of comics. Forget about that friend you usually buy these collections for. Buy this one for yourself. (But then maybe let said friend borrow it when you’re done.)

Advance reading copy provided through NetGalley.

]]> https://www.comicsgirl.com/2011/10/09/review-the-best-american-comics-2011/feed/ 6 2858