I really only have a couple of things for this week (I won’t collect every single link about Small Press Expo, after all) but I thought I’d take this space to talk a little bit about Small Press Expo 2013.

It was, as always, exhausting and amazing. I really didn’t get to spend as much time walking the floor as I would’ve liked nor did I get to see so many people I wanted to see. But I’m kind of resigned to the fact that this is how the show goes for me now. I was already pretty wiped out on Saturday (but astonishingly, actually managed to eat three meals, mostly because Greg Bennett made sure of that. I am incredibly grateful for that).

The entire process of the Ignatz was pretty intense this year. I don’t think a lot of people submitted until after table registrations happened. But then the books just kept coming. And coming. And coming. I know none of us expected to get so many books. I know I didn’t.

But I think the strength of the nominees really showed the depth of the titles we got. There were many a few usual suspects but I know the jurors were extremely thoughtful in their choices. So many of the categories were tough choices for me.

And yes, I was clearly delighted when all the Outstanding Graphic Novel nominees were women. That just happened organically and all of those books absolutely deserved to be there.

And speaking of that, I was so thrilled Liza Donnelly agreed to host this year. She’s spoken at the United Nations! When she said she was thinking about having all the presenters be women, I basically said “I would love that.” While we both worked to pick a good list of presenters, she definitely gets all the credit.

The whole ceremony and experience meant a lot to me. In my earliest days of reading and writing about comics, I never thought I’d get to do something like this. I’ve had a rough couple of years and so it felt satisfyingly wonderful to be able to be a part of something so amazing.

(I was so happy Ulli Lust won! Today is the Last Day of the Rest of Your Life is amazing and I loved it so much. And I am so jealous of my friend who got to hang out with her quite a bit. When he said “You two are on the same page about so many things,” that really didn’t help.)

Onto your regularly scheduled and short D.C. Area Scene.

News/reviews/interviews: 

• Author Of American Born Chinese Talks To Fans In Bethesda, Jenny Chen, Asian Fortune
• SPX 2013: Liza Donnelly’s Ignatz Awards make some history ‘to celebrate’ women cartoonists, Michael Cavna, Comic Riffs/Washington Post (the only SPX-related link I’ll post, probably)

Kickstarter:

• Mechanaflux #2 – All-Ages Fantasy Comic Book by Shawn Padraic Murphy

Events:

• Now through Nov. 3: Comics Making Studio with Members of the DC Conspiracy, Artisphere, Arlington, Va. Residencies every Thursday. Meet and greet on Sept. 21.
• Now through Nov. 10: Awake in the Dream World: The Art of Audrey Niffenegger, National Museum of Women in the Arts, Washington, D.C.
• Sept. 17: Gene Luen Yang signing, 7 p.m., Cleveland Park Neighborhood Library. Sponsored by Politics & Prose. (You could still make it!)
• Sept. 21-22: National Book Festival, Washington, D.C. With Lynda Barry, Jaime Hernandez, Gilbert Hernandez, Fred Chao and Jonathan Hennessey (Book Festival is two days, but graphic novel/comics programming is on Sept. 22.)
• Oct. 10: Paul Pope, 7:30 p.m., Takoma Park Library, Takoma Park, Md. Sponsored by Politics & Prose.

Have comic news or events related to the D.C. area to share? Email me by 4 p.m. Tuesday. More information is here.

• Small Press Expo Announces the DC Public Library as the 2013 Recipient of the SPX Graphic Novel Gift Program
• Vienna High School Student Wins Virginia Historical Society Award, Jessie Biele, Vienna Patch
• Lewis: Graphic novel ‘makes the words become music’, James Arkin, Click: People Watching in Washington, Politico
• A new take on the story of green businesses: Honest Tea co-founders tell story in comic book format, Kevin James Shay, Gazette.net

New releases:

• Magic Bullet #7

Events:

• Now through Nov. 3: Comics Making Studio with Members of the DC Conspiracy, Artisphere, Arlington, Va. Residencies every Thursday. Meet and greet on Sept. 21.
• Now through Nov. 10: Awake in the Dream World: The Art of Audrey Niffenegger, National Museum of Women in the Arts, Washington, D.C.
• Sept. 5: Neal Adams, 4 to 7 p.m., Beyond Comics, Frederick, Md.
• Sept. 7-8: Baltimore Comic-Con, Baltimore, Md.
• Sept. 8: Rep. John Lewis signing, 4 p.m., Politics & Prose, Washington, D.C.
• Sept. 12: Jeff Smith signing, 7 p.m., Wilson High School Media Center, Washington, D.C. Hosted by Politics and Prose.
• Sept. 14-15: Small Press Expo, North Bethesda, Md.
• Sept. 16: The Art and Style of Graphic Novels: Panel Discussion with Laura Lee Gulledge, Rutu Modan, Matt Phelan, and Gene Luen Yang, 7 p.m., Politics & Prose, Washington, D.C.
• Sept. 17: Gene Luen Yang signing, 7 p.m., Cleveland Park Neighborhood Library. Sponsored by Politics & Prose.
• Sept. 21-22: National Book Festival, Washington, D.C. With Lynda Barry, Jaime Hernandez, Gilbert Hernandez, Fred Chao and Jonathan Hennessey (Book Festival is two days, but graphic novel/comics programming is on Sept. 22.)
• Oct. 10: Paul Pope, 7:30 p.m., Takoma Park Library, Takoma Park, Md. Sponsored by Politics & Prose.

Have comic news or events related to the D.C. area to share? Email me by 4 p.m. Tuesday. More information is here.

I’ve felt a little critical of The Best American Comics in the past, and that could just be that I wasn’t that familiar with them, but I’ve always felt they had a somewhat limited perspective on literary comics. You were going to find the approved creators — you know, the kinds of people who create “graphic novels” and those that your non-comics friends would possibly read, but not much else.

And then I read Neil Gaiman was the guest editor for the 2010 edition. Yes, I kind of rolled my eyes at bit there. I like Gaiman as a writer, yes, and his contributions to comics have been notable, but they’ve mostly been in the past and his work is fairly mainstream (maybe not initially, but I think once he’s showing up on CBS Sunday Morning, yes, he’s mainstream). He wouldn’t have been my first pick to put together a book of the best comics of the year.

However, Best American Comics 2010 is pretty cool and I think a lot of that is because of Gaiman’s perspective. I think since he’s not as closely connected to comics as someone else would’ve been, he’s more open-minded in his selections. The stories being told are what’s important here — not who is made them.

Yes, you have a lot of the usual suspects (too much Chris Ware for my tastes, but then, I’m not really a Ware fan), but you also have Theo Ellsworth, Bryan Lee O’Malley, C. Tyler, Lilli Carre. In other words, you have a lot of my people. It’s a wonderful mix of high-profile releases, like R. Crumb’s The Book of Genesis and Jonathan Ames and Dean Haspiel’s The Alcoholic and smaller releases, like Jesse Reklaw‘s Slow Wave and Fred Chao‘s Johnny Hiro.

That’s awesome. That’s what comics is. It covers a broad range of styles and subjects. It encompasses creators and publishers of all ages, experiences and fame. This didn’t feel like “Oh, here’s a bunch of creators you’ve probably heard of and one guy who got a Xeric.” It felt more like “This is what was great in comics between Aug. 2008 and Sept. 2009.” I loved seeing a lot of the comics I loved in that time period showing up here.

Is the perspective still a little limited? Maybe. But overall, this ended up feeling a lot like a collection of comics I’ve read or would read.

So yes, it’s still not for me, since I’ve read a lot of these comics (and I bet you have to). But would I give it to a friend or family member who was interested in comics but didn’t know where to start? Absolutely. That’s what this book is designed to do and it does it incredibly well.

Advanced reading copy provided by Houghton Mifflin Harcourt through NetGalley.