emily carroll – Comicsgirl https://www.comicsgirl.com Sat, 30 Jun 2018 15:07:52 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.3 https://www.comicsgirl.com/wp-content/uploads/2017/05/cropped-EdenMiller2017-1-32x32.jpg emily carroll – Comicsgirl https://www.comicsgirl.com 32 32 59683043 Happy 20th birthday, Comicsgirl! https://www.comicsgirl.com/2018/07/01/happy-20th-birthday-comicsgirl/ Sun, 01 Jul 2018 13:00:02 +0000 http://www.comicsgirl.com/?p=4767

On July 1, 1998, the first incarnation of Comicsgirl officially launched. The internet was a very different place then and no, I didn’t think I’d still be trying to hang onto this 20 years later. I mean, 2018 was completely the future! I have no idea if that teenager who thought it would be cool to make a website would be happy or sad I’m still doing this. I may have been overly ambitious, but it was 1998 and there was a need!

I admit to being naive in some of the language I used but I do admire how generous I attempted to be, even if I was — admittedly — really imperfect at it.

The early days of Comicsgirl are long since gone from the internet, for the most part. There’s still the Wayback Machine, so let’s revisit some of the things I wrote (not all are from the earliest version of the site — the oldest version I could find was from October 1999, but close enough!) Also, I just tossed these images in — they weren’t ones from the original site (and the introductions to these posts did have creator/publisher information and such).

About The Sandman:

The Sandman was an ambitious project about the Lord of Dreams and his family, The Endless (Destiny, Death, Delirium, Destruction, Desire, Despair), and the mortal (and often not so mortal) dreamers they encountered. The Sandman delved deeply into mythology, history, and literature. It has been said that The Sandman is a story about stories, and I will easily agree with that.

The Sandman, mainly because it was a nontraditional comic book (meaning that it generally lacked men in tights and capes fighting crime), appealed to many women. Neil Gaiman’s personal estimate of its readership is about 50/50 split between males and females. Three and a half of the seven Endless are female (Death, Despair, Delirium, and sometimes Desire), and many strong female characters play prominent roles in the storylines. Even though some of the female characters may be strippers, or murdered, they are never presented as being mere sex objects or victims. From the coldly independent Thessaly, to the sweet, lonely Nuala, to the quick intelligence Johanna Constantine, every woman in The Sandman has self-worth and is presented as being nothing less than whole. One character remarks in The Sandman that “All women are remarkable.” Everything about the women in this title would agree with that. Highest recommendation possible.

About Elfquest:

ElfquestElfquest is a fantasy comic book concerning a group of elves named the Wolfriders. These elves evolved after a race of being accidentally landed at the wrong time on a fantasy world. They struggle against humans who believed them to be demons, cruel trolls, and even other treacherous elves in a struggle for survival in a world where they do not belong.

Elfquest, which was written and illustrated for many years by a woman, has an abundance of female characters, each multidimensional with her own strengths and weaknesses. The female elves are treated on the same terms as the male elves, and neither gender is made to look superior or inferior. The writing and artwork deals with them both equally. While the women are sometimes scantily clad and well-figured, the men are drawn exactly in the same manner, and neither is offensive. The stories are excellent, the art is great, and Elfquest is just downright fun. Highly Recommended.

About Batman: The Dark Knight Returns:

In this dark and historic miniseries, Frank Miller explores what effect superheroes have on society. Ten years after Bruce Wayne retired from being Batman, a new crime wave has hit Gotham City. Although he is older, Bruce Wayne feels the drive and desire to become Batman once again, and does so not realizing how the world has changed since the last time Batman appeared.

I almost did not want to review this, because the question came up…is The Dark Knight Returns “female-friendly”? Well, it’s not “friendly” in any way, although it is a monumental work–as relevant today as it was ten years ago, and it probes deeply into the psyche of one of the world’s most beloved superheroes, but is it something female comic book readers would enjoy? I can only speak from experience that I am a female comic book reader, and I liked it a lot.

I would like you to be warned–this is no simple superhero tale. It is violent, unnerving, unrelenting. Those aspects of the book can’t be ignored. But The Dark Knight Returns is also about the sweet, fatherly relationship Batman has with the new Robin, a thirteen-year old girl, and Batman’s continuous attempt to save himself from the torture of the memory of the violent killing of his parents he witnessed as a child. These aspects humanize the book. It’s not just mindlessly violent, nor a thoughtless tale of fighting crime. It’s about one man’s misguided mission to save his city from crime–to stop what happened to him from happening to anyone else. In that regard, the book is worthy of being read and something will be gained from doing so. So reservations about “female-friendliness” aside: Highly Recommended.

Yeah, and that’s enough of that. Did I mention I was a teenager and this was more or less 20 years ago?

In all honesty, though, doing this has brought so many good things into my life. People were generous with their comics and I got to read a lot of things I wouldn’t have otherwise. I was once vaguely considered an “expert” and people even interviewed me about my site! It lead to getting involved with Small Press Expo and that’s been amazing. I’ve made countless friends — including people I absolutely consider to be my family. It indirectly (and directly) lead to job opportunities. It has been frustrating at times, sure, but I think there’s a good reason that even after 20 years, I haven’t wanted to let go of this.

Mostly, it’s been such a huge part of my life and I’ve loved it so much.

I’ve watched the internet change from websites (remember when I used to run a webring? Do you even know what a webring is?) to blogs to … whatever space we’re in now. I like change but I hope I can keep up.

I had fun going through my site and rereading things. I’ve collected a few of them.

Favorite posts (that aren’t reviews):

My favorite reviews:

Three reviews by special guests:

Despite the fact I haven’t updated this site in nearly a year, I don’t consider it “dead” — I’m just … taking a break. I have some plans for the next era of this site. I’m getting there! I may even bring the podcast back! But really, thank you to everyone who has ever indulged me with this. You’re all a delight.

]]> 4767 2014 Comics Superlatives https://www.comicsgirl.com/2014/12/17/2014-comics-superlatives/ Thu, 18 Dec 2014 02:09:48 +0000 http://www.comicsgirl.com/?p=4217

As I started rounding up the comics I liked this year, I saw a pattern, so I made a joke:

And then I just decided to go with it.
This is not a definitive list but these are all comics, creators, events and projects from 2014 I want to recognize. I think we can all agree that 2014 was a pretty remarkable year for comics.
]]> 4217 Library Con at Petworth Neighborhood Library & Comics by Women https://www.comicsgirl.com/2014/08/03/library-con-at-petworth-neighborhood-library-comics-by-women/ Sun, 03 Aug 2014 18:32:16 +0000 http://www.comicsgirl.com/?p=4161 library-conYesterday, I was a speaker at Library Con at the Petworth Neighborhood Library. It was a small, mostly family-oriented event but well-organized and fun. I am always going to be a fan of events that make comics — of all genres and styles — more accessible to more people.

I first saw Jacob Mazer of Animal Kingdom Publishing discuss his work and the anthology of comics, prose, poetry and criticism he edits. It’s still a young publication, but I definitely think there’s room in the world for more things like this, allowing comics to reach audiences they may not otherwise. Not everything in the second issue is to my tastes, but there is some thought-provoking work in it.

Then I saw Gareth Hinds, whose adaptation of Romeo and Juliet came out last year. He talked about always loving to draw as a child and comics ended up coming naturally to him. He worked in video games for a long time before quitting to create graphic novels full-time. He broke down his process for each book and I was interested to hear he changes techniques and styles for each specific book. He also spoke about the challenges of adapting classic literature.

After that, it was my turn. I talked about comics by women (what else?) and I think it went well for it being such a big topic. My concept was not to give history but offer up titles that people can buy right now. I had a good discussion with the attendees too.

You can download my PowerPoint presentation or a PDF of it, but I’ve also created a list of the creators and titles I discussed below (with links to their websites where appropriate).

I have reviewed some of these books and written more about some of these creators. You should be able to find what you need through the tags.

History/background

 lumberjanesMainstream: Superheroes

Mainstream: Sci-fi/Fantasy

Children and Young Adult Comics

marblesAutobiographical

Manga

  • Kyoko Okazaki: Pink, Helter Skelter
  • Moto Hagio: A Drunken Dream, The Heart of Thomas
  • Takako Shimura: Wandering Son
  • Moyoco Anno: In Clothes Called Fat, Insufficient Direction

UK, Europe and Around the World

  • Mary Talbot: The Dotter of Her Father’s Eyes, Sally Heathcoate: Suffragette
  • Isabel Greenberg: Encyclopedia of Early Earth
  • Julie Maroh: Blue is the Warmest Color
  • Marguerite Abouet: Aya series
  • Rutu Modan: Exit Wounds, The Property

strong-femaleOnline comics

Minicomics & cutting-edge creators

Through the WoodsPublishers, groups and events

Top Picks of Comics by Women for 2014

]]> 4161 Review: Through the Woods by Emily Carroll https://www.comicsgirl.com/2014/07/24/review-through-the-woods-by-emily-carroll/ https://www.comicsgirl.com/2014/07/24/review-through-the-woods-by-emily-carroll/#comments Thu, 24 Jul 2014 22:52:08 +0000 http://www.comicsgirl.com/?p=4147 Through the WoodsIt can be terrifying to be a woman. Don’t get me wrong — there are so many great things about it, too. It’s not like all women live every moment in fear.

But there is an underlying current of danger for so many women. Is this street safe? Should I ride in the elevator with this man or wait for the next one? Is this person my friend or just waiting for an opportunity to take advantage of me?

Nevermind that women live in bodies that are often confusing. We ache, we hurt, we feel emotions we don’t always understand. We bleed and want. But women just live with these things for the most part. I know I don’t give them too much thought. It’s just part of my daily life.

I thought about these things while reading the gorgeous collection of Emily Carroll’s stories, Through the Woods (Margaret K. McElderry Books, 2014). It’s not that all of these stories are about these specific issues, but even in the more horrific stories, there’s an undercurrent of this just being what life is like.

The five stories here (plus an introduction and a conclusion) take us deep into the world Carroll has created. It’s one part Shirley Jackson, one part Grimm’s fairy tales, one part Junji Ito, but so much more. Part of Carroll’s gift is how she transforms her influences into something completely new. In Carroll’s world, everywhere is haunted; everything means you harm.

Much of Carroll’s power is in what goes unseen. In the first story, “Our Neighbor’s House,” the protagonist narrates her sisters seeing a mysterious stranger before they each disappear, leaving her alone to face what’s to come. There’s no overt horror in this tale, but the tension is in the waiting, in the inevitable fate of our narrator. Carroll does creeping dread like no one else working in comics.

But when Carroll wants to show us actual horror, she’s unafraid, and her visions are as beautiful as they are terrifying.

In the elegantly paced “A Lady’s Hands Are Cold,” her twisting page layouts, poetic language and art saturated with bright blues and crimson reds lead the reader down a frightening path that turns in unexpected places. In the book’s final story, “The Nesting Place,” the quiet distress builds to outright horror. While Mabel’s distrust of her brother’s fiancée never feels out of place, the reveal feels both shocking and earned.

Carroll never feels like she’s pushing her metaphors about women’s bodies and lives being in control of forces outside themselves. The subtly of how she conveys her themes is skillful and lovely. Bottom line, these are all just wonderfully scary horror stories. That there is some subtext just feels like a bonus.

If you’ve read Carroll’s work online, you know she enjoys playing with form and format. Her layout switch wildly to suit her stories — unconstrained and open one moment, quiet and formal the next. Her unique style seems to be influenced by everything — children’s books illustrations, manga, indie and European comics, animation, video game artwork — but she filters it into a singular vision. It feels hauntingly familiar but also foreign, much like a nightmare.

The design of Through the Woods is also incredible. The full-bleed pages are engrossing and the glossy paper shows off the pure black and rich, vivid colors. It translates the power of Carroll’s online work into book format perfectly.

Emily Carroll is a comics creator people are going to study generations from now. She’s that good. Through the Woods is a masterpiece collection of comics. And I hope it’s only the first one of many.

Copy of Through the Woods provided by Big Planet Comics. Carroll is also one of Small Press Expo‘s special guests, so come tell her how awesome she is Sept. 13-14.

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