The reviews are in no particular order for the most part. I am breaking it up into two days because it got ridiculously long once I wrote about everything.

The Pyramid: Kenan Rubenstein
This comic is a 8 1/2 by 11 inch sheet of paper folded into sixteenths and readers unfold it as they go. The panels change orientation or form as the paper is unfolded, revealing a final, full-page image. The story — about moving possessions into storage — is pretty simple, but Rubenstein’s clear voice and sharp, moody images makes it work. It’s a cool and unexpected comic.

Full Sanction in [F(S]PX]: Joe Mochove & Rusty Rowley
I have no business reviewing this, really, because I know these two and so even if I hated it, I wouldn’t be telling them that. But I don’t hate it. Not even a little. This is a hilarious skewering of some of the motifs that you’ll find in various comics for sale at SPX. Rusty makes a comic called Dino Docs and Joe makes a comic called Sun/Mun and the compete for sales. The outcome is ridiculous but awesome.

Yes, Joe draws stick figures, but they’re quality stick figures, and part of the beauty of comics is how the art suits the story. I think the style is basically perfect for what they’re doing. (And by the way, the real-life Rusty and Joe actually made the comics that appear here and they were also for sale. I don’t have them because I’m dumb.)

Beard: Pranas T. Naujokaitis
In Beardville, all men (and even some women and children) have beards. Except for Gus. However, after Gus’ wish for a beard is granted, he revels in being a manly man. Unfortunately, Gus doesn’t know when to stop and the town turns on him. Lessons are learned. This is a fun little story with a good message about what makes a man and that not all manly attributes are necessarily good.

Naujokaitis’ art is playful and fun. I love how Gus’ beard has a life of its own. The die-cut cover, showing Gus with and without his beard, is also an awesome touch. (I see that this is the third printing of this comic. That doesn’t surprise me.)

Last Day and The Last of the Real Small Farmers: Idiots’ Books
These aren’t comics, but a beautiful mix of prose and art by Matthew Swanson and Robbie Behr respectively.

Last Day is a beautiful meditation by Swanson on what we take for granted in life — the little everyday moments of life — accompanied and complimented by Behr’s dreamily abstract watercolors. The Last of the Real Small Farmers recounts various things that Bill, a farmer, said in an interview (the transcript was edited by Swanson and Brian Francis Slattery). Bill talks about everything from the size of his vegetables to various conspiracy theories. Behr’s accompanying art encompasses everything from portraits of Bill to increasingly abstract scenes of radio equipment and technology. It’s a fun read.

Also, Swanson and Behr, who are adorable themselves, have two of the cutest kids on the planet, including Kato who was at SPX. I think Kato was the perfect salesman because I’m not even the baby-crazy sort and I wanted to give him all my money.

Daily Catch: An Anthology of Comics: Jon Chad, C. Frakes, Katherine Roy and Laura Terry
This is a short, entertaining anthology of stories about the sea. Some are funny, some are scary, but all in all, it’s a lovely showcase of the talents of these four creators. I’ve liked Frakes’ previous work so I’m biased toward her story, but this served its purpose in that I immediately wanted to look up the other three and see what else they’ve done.

Echoes from Asteroid X: Mark Rudolph
A space explorer and his android servant have to survive after crash-landing on the titular asteroid. They battle against dinosaur-like creatures (the explorer) and their own programming (the android) in a surprisingly poignant tale of what we’re capable of when pushed. Rudolph’s art is obviously inspired by the square-jawed comic book heroes of the 1960s and the out-there perspective of Jack Kirby and it works. This is unique and fun.

Six more tomorrow!

I intended to buy this at MoCCA, but didn’t. As we ran around handing out the Ignatz nominee badges at Small Press Expo, I decided that was as good of a time as any to buy it.

A bear decides to lead an uprising against humans and adopts a little girl to help lead the fight as the “king” of the bears. As she grows up, the bears get no closer to winning their battle with the humans.

As our heroine progresses from girl to woman, she looses her innocence little by little — her bear family eats sheep she’s befriended, the young man she falls in love with is a hunter with the head of a deer on his wall — until she decides she doesn’t want to be controlled anymore.

Frakes’ adorable drawings make this look like a “cute animal” tale for the most part, which makes the scenes of violence, while not overly graphic, all the more shocking. It becomes a powerful reflection on being blinded by conflict and the thoughtless cruelty we often perpetuate. This is a book I am proud to own.

Salamander Dream (AdHouse Books, 2005) – Hope Larson

Dreamlike in tone, Larson follows a girl named Hailey and her friendship with Salamander, a lithe, masked human figure in all black. Hailey and Salamander play in the wilderness near Hailey’s house, but as Hailey gets older, she has less and less time for Salamander.

Presented in black, white and vibrant green, extended, wordless sequences show Hailey and Salamander floating through water, the sky and even shrinking to travel through Hailey’s bloodstream. Larson varies her page layouts — sometimes they are well-defined and rigid, other times they are loose and and malleable. Her art has a clarity that is lovely — the curves of her lines give her drawings movement and immediacy.

It’s left up to the reader to decide if Salamander is a real, magical creature or just an imaginary friend of Hailey’s (in fact, Larson seems to say there’s not much difference between the two).

This is a beautiful little book and I’ve enjoyed revisiting it since I bought it.

Sleeper Car (Secret Acres, 2009) – Theo Ellsworth

Ellsworth fills his pages with robots and space explorers and weirdness just for the sake of weirdness. He’s playful — look for all the little animals in the background of “Norman Eight’s Left Arm” — and his love of the surreal never descends into creepiness. Technically, it’s brilliant and lush — his art is impossibly complicated and full of lines and textures in the background — but it also feels much like a product of someone who’s just goofying around and doodling (oh, if we could all doodle like this).

There is something very childlike about his work. It’s like one part Moebius, one part Where The Wild Things Are. Yes, “How to Build a: Pajama Tent” is adorable and something we all can remember doing, but other pages, like “Political Statement” that shows an image of “The 220th President of the United States” feel like something he probably just drew for fun and captioned later.

Ellsworth has a fascinating style. His comics can be dense but they’re almost always fun.

Cross Country (Fort Hamilton Press, 2009) – MK Reed

Spooner is on a road trip as the assistant to Greg, the asshole heir to a Wal-Mart-like company, as they travel around the country to decide which stores to close. Spooner hates Greg, but the money is too good to pass up. Along the way, he visits his ex-girlfriend, Julia, as he decides what he wants from life.

Reed presents this story in a pretty matter-of-fact way — it feels a lot like a cute, low-budget indie movie. Reed’s art has a softness to it — she draws her characters with loose curves and simple features. I wouldn’t call it abstract, but there is a certain economy to her lines. She adds just enough to make her scenes clear.

I think we all have someone in our lives that we just can’t let go of. Maybe this person isn’t so much “the one that got away” but we still have some lingering thought about what could have been if things have gone differently. I liked that Reed never presented Julia as a villain and it didn’t work out with Spooner just because it didn’t work out. I also liked how Spooner came to — maybe not so much an understanding with Greg, but something close to recognition.

This is a quiet little book but very affecting and satisfying.

(Hope Larson will be appearing at the University of Richmond for Graphic Details: Discussing Contemporary Comics at 7 p.m. Sunday, along with Gabrielle Bell, Kim Deitch and Anders Nilsen. The panel will be moderated by AdHouse Books founder Chris Pitzer.)

Side B

Side B: The Music Love’s Comic Anthology
I was excited to pick up Side B (2009, Poseur Ink). After all, I love music and I do love finding out how other people relate to music. Despite the substantial cover price ($23), I was more than happy to buy this at MoCCA.

While I know, for the most part, anthologies can be hit or miss by their nature, this was more “miss” than “hit” for me, sadly. It is, by no means, a bad anthology. I think I was just expecting something else.

Music is a huge topic and that seemed to be only guideline given here. Some creators used the topic to discuss their favorite band or a pivotal moment that occurred around music. For the most part, those stories worked the best for me. I loved Cristy C. Roads’ “Redemption Day,” which was more of an illustrated story than comic about how Green Day opened up a new world for her. While I’m not a Green Day fan, I could easily relate to the idea of finding that first band that meant something to you. Also great was Dave Crosland‘s wildly sketched tale of awkwardness around a crazy girl he was crushing on at a Modest Mouse show, “The Mouse, The Model, The Horse.”

A few people take a little bit different approach, like in “Torso,” written by Kat Vapid and drawn by Ryan Kelly. In this simple story, a punk singer finds solace at a country karaoke bar after being kicked out of her band. Kelly’s art reminds me of traditional superhero comics, with his crisp lines and strong, expressive faces. Vapid’s characters are quickly and well-defined. It’s a satisfying story, but I’d love to see more of these characters.

Still, Side B has too many meandering stories, like Josh Rosen‘s “Same Old Song,” which is just a Rosen analogue talking about music for three pages. His art is fine, but there’s no point here. And as charming as Katie Shanahan‘s “Musical Misfit” was, with its playful art, I didn’t come away with feeling like it really gave me any insight.

And I think that’s the problem with a lot of the stories in Side B. I understand completely that music is very personal so these stories are going to be personal. But “personal” doesn’t necessarily translate into “interesting.” I think it’s worth reading to an extent, and I certainly don’t regret buying it, but it’s not really an anthology I’ll return to. I think I’m going to end up passing this along to a friend.

First Harvest: Trees & Hills Comics Volume One

Trees & Hills is a network of cartoonists and comic book artists in Vermont, New Hampshire and western Massachusetts. And for covering such a small geographic area, there is actually a surprising amount of talent there.

First Harvest (2009) collects several of the smaller anthologies the group has put out over the past few years. The diversity of comics here ranges from the simple to the ambitious, from the personal to the pretentious and the whole thing is a lot of fun.

I think I liked this mostly because it was different. When you read a lot of anthologies, you see a lot of the same names over and over again. And if you don’t, at the very least, you see a lot of the same type of comics over and over again (by which, I mean, urban twentysomethings dealing with love and life, although I do think a lot of indie comics are moving away from that). Instead, here, the vibe isn’t so much about impressing anyone with hipness as it is about expressing a personal worldview.

The pair of comics by Megan Baehr are probably among the strongest — they’re both wordless and deal with overcoming adversity and redemption. Colleen Frakes‘ “Space Ninja vs. Zombie” stories are hilarious and her simple art belies her understanding for the medium (I meant to pick up her Woman King at MoCCA, but then I both ran out of money and forgot).

Of special note to me was Tim Hulsizer‘s “House of Freaks, which is an illustrated recounting of one of the most brutal and heartless crimes I know of in recent history. He tells the story of the murders of musician Bryan Harvey and family in Richmond, Va., on New Year’s Day 2006. The images aren’t graphic but the words are and the juxtaposition is effective. As heartbreakingly awful as this story is, I’m glad Hulsizer told it.

I can’t get through this review without mentioning Jade Harmon who is a good friend of mine. We actually did a comic when we were 17 (no, you can’t see it) and it delights me that she’s in this book and I get to point out to everyone I know “I know her! I know her!” I realize I’m biased but her comics are among my favorites here — I love how “La Fenetre” unfolds and expresses the power of music to take us somewhere else (I think this would’ve been a good one for Side B, personally).

I couldn’t find a sale link to First Harvest on the Trees & Hills site, so I hope they have it available soon. It’s a great look at talent that I didn’t know existed.