• Iranian-French author shares culture, Karolina Ramos, GW Hatchet
• Toronto Comic Arts Festival 2012 Questionnaire: Deanna Echanique, Mark Medley, National Post.
• I love this book: ‘Hit By Pitch’, Whitney Matheson, PopCandy.

Debuts and new issues:

• Bamn: Rob’s Adventure — free digital comic by Jay Payne (artist) and Troy-Jeffrey Allen (writer)
• Cartoon Picayune #3 — anthology edited by Josh Kramer. It is currently available online and should be in Politics & Prose and SMASH! soon.
• Starseed — ongoing webcomic that updates Tuesdays and Thursdays by Sarah P. (artist) and R.M. Rhodes (writer).

Upcoming releases:

• Team Cul de Sac: Cartoonists Draw the Line at Parkinson’s, various artists, Andrews McMeel Publishing. Benefit book for cartoonist Richard Thompson. June 5.
• Xoc: The Journey of a Great White, Matt Dembicki with colors by Evan Keeling, Oni Press. July 25.
• Mr. Big: A Tale of Pond Life, Carol and Matt Dembicki, Sky Pony Press. Sept. 1.
• District Comics: An Unconventional History of Washington, DC, various artists, Fulcrum Publishing. Sept. 11.

Events:

• Ongoing until June 17: “Life Unreal: Art by Evan Keeling and Scott White,” Northside Social, Arlington, Va. Artist reception is May 26 from 7 to 9 p.m.
• May 11: Jim Ottaviani and Leland Myrick, creators of Feynman appearance, 6:30 p.m. at American Institute of Physics, College Park, Md. Free and open to the public.
• May 12-13: Curls Studio (Carolyn Belefski and Joe Carabeo) at Asbury Park Comic Con, Asbury, N.J.
• May 12-13: Rafer Roberts at Asbury Park Comic Con, Asbury, N.J.
• May 12: Full Sanction (Rusty Rowley and Joe Mochove) at Winston-Salem Toy and Comic Book Show, 10 a.m. to 5 p.m, Winston-Salem, N.C. Admission is $2 and children younger than 12 are free. Presented by Ssalefish Comics.
• May 18-June 23: Christiann MacAuley (artist profile) at Artomatic, Arlington, Va.
• May 19: Super Art Fest 2012, noon to midnight, Metro Gallery, Baltimore, Md. Benefit for Ulman Cancer Fund. More information on Facebook or at Super Art Fight.
• May 24: Henry & Glenn Forever #1 release party with Ton Neely and Ed Luce, 7 p.m. at Atomic Books, Baltimore, Md.
• Beginning June 7: “Graphic Details: Confessional Comics by Jewish Women” at the Ann Loeb Bronfman Gallery, Jewish Community Center, Washington, D.C. More details to come.

Have comic news or events related to the D.C. area to share? Email me! Submit no later than Wednesday at 9 p.m. for inclusion each Thursday, but the earlier, the better! More information is here.

At some point late in the third battle last night at The Red Palace, Super Art Fight co-creator and co-host Ross Nover remarked, “My mom wanted to know why she couldn’t come to the show tonight.”

Of course, considering this was taking place in a bar and featured burlesque dancers in between battles, it’s unlikely anyone in the audience had any illusions this was supposed to be a family-friendly event. But Nover was more reacting to the inherent unpredictability of Super Art Fight. Anything goes, after all, and the more ridiculous the drawings, the better.

Super Art Fight, as the name would suggest, pits two artists against each other in a drawing competition. They have 25 minutes to out draw the other and win over the audience, who then picks the winner (the artist that gets the most cheers wins). The battle starts with each competitor declaring a starting topic and every five minutes new ones are introduced by the Wheel of Death. Submitted to the Super Art Fight website, they’re usually preposterous, ranging from “Godzilla’s Sexy Cousin” and “Marty McSuperfly.”

Nover, along with fellow host Marty Day, kept the action moving. They have a teasing and affable rapport with each other and are always willing to just keep making jokes. Their reactions are part of what make the show so great — they have the perfect combination of quick wits and bafflement about what they’re seeing being drawn and really pull the audience into the action. (Nover also treated the audience to a rendition of Vanilla Ice’s “Ninja Rap” from Teenage Mutant Ninja Turtle II. I would love to tell you it made sense at the time — although, it almost did — but mostly, it was impressive he remembered as much of it as he did.) [It has been pointed out to me that this was actually Partners in Kryme’s “T-U-R-T-L-E POWER” from the first movie. I am behind on my TMNT knowledge, obviously. Or blocked most of the movie out of my memory. One or the other.]

Last night’s first battle featured Dann Malihom (who dressed as a ninja) and Kelsey Wailes (who wore a cardboard robot mask). Their starting topics were, appropriately enough, ninjas and robots. These two were probably the most competitive with each other, crossing over into the other’s side early in the battle. Wailes turned Malihom’s ninja into a robot and he turned her robot into a ninja. The battle initially ended in a tie until a recount (er, rescream?) declared Malihom the winner.

While most competitors do come from a comics background (many participants in Super Art Fight also make web comics), Darl Gnau has a background in tattooing. He was the challenger to Nick Borkowicz in the second battle. Their starting topics were Frankenberry and Yummy Mummy. That clearly almost immediately got weird, especially as soon as the first Wheel of Death topics — “Sadshark” and “Your Mom” were announced. I think all you really need to know about this battle is that a fetus Frankenberry with a machine gun was drawn at one point. Gnau was the winner.

The third round and main event was between Super Art Fight veterans Brandon J. Carr and Jamie Noguchi. While the first two battles were plenty of fun, this one was the most entertaining. Their starting topics were “Mother” and “Father.” After a Danzig joke was made, Noguchi took “Mother” to mean the album cover the song was from instead of anything more appropriate. Carr, for his part, drew Homer Simpson to represent “father.”

Their experience really showed and they were quick to adapt to comments from the hosts as well as Wheel of Death topics. Upon being given “Dracula at the beach,” Noguchi drew a few scattered dots and declared he was done. But the vampire theme continued throughout, as various drawings were given bat wings and fangs. Carr, after misplacing his original markers, somehow managed to have multiple colors instead of just the traditional red and black, and he used them to delightful effect. In the end, Noguchi won, but only by .1 decibels.

But really, even with winners being declared, the competition aspect feels pretty secondary to how much fun this whole thing is to watch. If you don’t think spending two hours in a bar watching people draw silly things on wall-sized pieces of paper, Super Art Fight will prove you wrong.

I posted a bunch of photos to Facebook. If you’re in them, feel free to tag yourself.

Currently, Super Art Fight is primarily based in Baltimore, but does perform at various cons along the East Coast. There will be a show on Aug. 20, so if you’re in Baltimore for Baltimore Comic-Con, it’s worth checking out (I realize it will probably conflict with the Harvey Awards, but still …).

My press badge was easily and quickly acquired (I do have to compliment the staff and volunteers — all very nice and helpful) and I went to say hi to my friend Timothy Lantz (who said the show had been good to him) and I picked up his beautiful postcard set (you should too!) and saw a sneak preview of his secret project.

No sooner had I turned from Tim’s table, I immediately ran into my friends Joe and Rusty of Full Sanction so I spent the rest of the time hanging out with them.

We talked to a few people, dug through some $1 comic boxes and $5 graphic novel boxes. From the former, I picked up the second Mary Jane volume (I don’t have the first one, but it was a $1! A dollar! Here is where I point out that after parking, buying Tim’s postcard set, I had exactly $9 left to spend) and from the latter, I bought The Essential Dazzler. As Joe said, “That’s a lot of Dazzler.” But I like Dazzler — she’s utterly ridiculous and was a character made a couple years too late by committee, but I think that’s what makes her fun. And hey, $5.

That pretty much took the majority of my money, so we wandered and looked at overpriced action figures and lamented the lack of light-up swords. All three of us purchased a copy of Adam Dembicki’s (as in, son of Matt) Ant Army! I am already very much for adorable children making comics, but Adam told us he was going to use his money to buy more Legos. That’s a completely worthy cause.

The overall vibe of the show was fun and relaxed. All the exhibitors seemed very happy to be there and happy to welcome fans, old and new. The artist alley/small press section drew a lot of interest and I did see plenty of original stuff and much less of the “I will draw Joker for you” sort. Even the sellers of the comics/action figures/etc. seemed to be enjoying themselves and doing well. I’ve always been much less interested in that side of cons before, but this time, it just felt right to me.

People have been making comparisons between the Baltimore and San Diego cons (notably in this Washington Post article). I had fun at San Diego and I look forward to the New York con in October, and while it’s neither good nor bad, I just know they’re different sorts of cons — comics is just the jumping off point and not the focus.

Baltimore is a true comic con. It’s about comics. There’s no big media companies vying for your attention, no loud obnoxious movie clips playing, nothing that falls too far outside “comics” (T-shirts and action figures, sure, but not much beyond that). And that’s great. It makes it a show to go to and hang out and have fun. It doesn’t feel like I am being sold to as much. It’s a place to go and hang out with like-minded people. People go to Baltimore because they like comics. It feels like it’s put on by people who like comics. And that’s a really cool thing.

If I had more money, I would’ve stayed longer (and I was somewhat saving some purchases for Small Press Expo in a couple of weeks) but I had plenty of fun while I was there.

If you haven’t been to Baltimore Comic-Con, you need to go.